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-The Nightmare of Persephone, Kairos Politismou, Tinos, 5-6 July 2023
-Arcaeological Dialogues, Syros, 27-29th May 2023
-Athens by Collage: The Representation of the Metropolis between Realism, Intervention and Autonomy,
by Fabiano Micocci, Anteferma Editions.
-Curation of the exhibition Expressions of Light in Selene restaurant, Fira, Santorini, 22 Sept-22 Oct. 2022
-Levels of Life: Photography Imaging and the Vertical Perspective - Conference and Exhibition,The Photographers Gallery & London College of Communication, 30th June-2nd July 2022
-Lipiu exhibition catalogue
-Weaving Worlds, ACG Gallery, Athens, 20 May-25 June 2022
-Ad Interim, Campus Novel, one-day events and lectures, Tavros, 14th May 2022
-The Real and the Record, MOMus-Thessaloniki Museum of Photography, 9th Oct 2021-20th Feb 2022
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We are not in the world, we become with the world; we become by contemplating it. Everything is vision, becoming. We become universes. Becoming animal, plant, molecular, becoming zero.
Deleuze G. and Guattari F., What is Philosophy? London, Verso (1994, p.169)
The main idea of After the End builds on a sci-fi, possibly doomsday, scenario where a group of people find themselves on a deserted land among dispersed apparatuses. The work reflects on the relations between society, technology and nature and the dystopian scenarios that largely surround them today. The series editing follows a continuation as the photographs succeed one another, in an attempt to suggest the notion of movement and transition and the importance of passage, as a means of reinventing ourselves and our futures within the world.
Installation shot, (IM)Material Gestures, Talking PIIGS, Fondazione Sandretto Re
Rebaudengo, Turin, 2016
