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24 May – 28 June, 2025, A link and a Break in Time, ACG Gallery, Athens
12th May 2025, 2nd ACG/ACI Design Thinking and Emerging Technologies: Creative Inspiration and Digital Tools.
12 Oct – 24 Nov 2024, Navigating, Head2Head, The Living Art Museum, Reykhavik.
18 Sept, 2024, Data Dreams & Ethical Realities, Panel Discussion, Onassis AiR.
23 Aug – 23 Sept 2024, The Day the Earth Caught Data at Kastelana, Pyrgos, Santorini.
15th May 2024, A Time of Her Own, Talk and website launch, Hellenic Centre, London.
Spring 2024, Onassis AiR residency, Athens.
ABOUT
Zoe Hatziyannaki is a visual artist based in Athens working across photography, digital media and installations. She holds a PhD from Goldsmiths College, University of London supported by the Greek State Scholarships Foundation. Her work has
been exhibited in Greece and abroad. She has received a Jerwood Photography Award, a NEON grant and research
funding from the Greek Ministry of Culture. She has also been a fellow in IdeasCity Athens, a member of Depression Era collective, a co-founder of A-DASH and an Onassis AiR fellow for Spring 2024. Since 2018 she has been teaching in the Visual Arts department of the American College of Greece.
email: zoehatziyanaki@gmail.com
address: Dimokritou 30, 10673, Athens, Greece
tel +30 2106082171
mob.+30 6974837074
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My artistic practice focuses on the notions of space and time, exploring the complex relationships that emerge between past, present, and future; between proximity and distance; virtual and real; nature and culture; the private and the public. Through the medium of the digital image, I seek to revisit these dualities, aiming to transcend their stereotypical boundaries.
My interest lies in the ways advanced technologies -particularly the so-called “seeing machines”- transform the environment, reshape social structures, and redefine the rhythms of everyday life. My artistic research aspires to highlight the social and environmental concerns that arise from these transformations.
As a result, my practice has turned towards the creation of interactive installations, which invite audiences to participate actively, or even to immerse themselves in experiential environments. The integration and operation of the elements are not structured within an isolated, closed narrative, but rather within an open, ever-shifting field, where the boundaries between viewers and the work itself become indistinct.
My goal is to shape a space of coexistence and re-examination, where art functions as a site of dialogue and reflection on the world that continually shapes us.
