Zoe Hatziyannaki   
    
    the day the earth caught data
    (E1) (E2) (E3)...
    a time of her own
    the lonely machine
    plein soleil  
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    after the end    
    ode to a grecian urn                              \/
    local variations
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... _Navigating, Head2Head, The Living Art Museum, Reykhavik, 12 Oct.-24 Nov 2024
_Data Dreams & Ethical Realities, Panel Discussion, Onassis AiR, 18 Sept, 2024
_The Day the Earth Caught Data at Kastelana, Pyrgos, Santorini 23 Aug-23 Sept 2024
_A Time of Her Own, Hellenic Centre, London, 15th May 2024
_Onassis AiR, Athens, February - March 2024 _The Nightmare of Persephone, Kairos Politismou, Tinos, 5-6 July 2023
_Arcaeological Dialogues, Syros, 27-29th May 2023 _Athens by Collage: The Representation of the Metropolis between Realism, Intervention and Autonomy, by Fabiano Micocci, Anteferma Editions.
_Curation of the exhibition Expressions of Light in Selene restaurant, Santorini,Sept -Oct. 2022
_Levels of Life: Photography Imaging and the Vertical Perspective - Conference and Exhibition,The Photographers Gallery & London College of Communication, 30th June-2nd July 2022
_Lipiu exhibition catalogue


...

THE DAY THE EARTH CAUGHT DATA  (E3)
2024



The Day the Earth  Caught Data unfolds in a series of several episodes that attempt to create  fictional narratives about the end of the world, using different tourist locations. The material is from online sources, using satellite images from Google Earth and  screenshots from Photosphere, developing in interactive installations. Constant surveillance practices on Earth’s surface, frequent use of mapping apps, as well as incessant sharing self-referential content online, compliments tourism’s already significant part in climate crisis. The work unfolds in a series of different ‘episodes’ attempting to draw parallels between a widely shared, seemingly uncomplicated reality and a troublesome fiction where the image-makers become storytellers of their own unsettling future. The title is a reference to post-apocalyptic film “The Day the Earth Caught Fire” (1961) and each episode suggests a dystopian scenario, aftermath of the intense human presence and the constant use of digital media that accompanies it, wondering if  the end of the world might come from our own visual representations of it.



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Episode 3 of The Day the Earth  Caught Data was an interactive installation involving audience participation using primarily online material shared by different users through Google Street View Photosphere. The research is focused on Jökulsárlón, the famous glacial lake in the southern part of Iceland, which is undergoing unprecedented changes due to global warming.  The use of the satellite images generated by Google Earth along with screenshots taken from the online photos shared by the visitors in Google Earth’ Photosphere, construct a different, more dystopian narrative. The landscape resembles that of another planet, or that of a doomsday movie setting, where the individuals strolling around look lost, exhausted and disoriented amidst the melting glaciers and barren, uninviting surroundings. The audience was encouraged to participate, by taking their own selfies on the mirror opposite the printed backdrop.






The Day the Earth  Caught Data (E3) was part of the group exhibition “Navigating” at The Living Art Museum, Reykjavik as part of Head2Head Festival, co-curated by Eleni Tsopotou.

Print on canvas (2.80x1.00m. satellite images from Google Earth)
Slideshow on monitor (Screenshots from Photosphere Google Street View)
Mirror (1.50x0.60)
Volcanic stones.