Zoe Hatziyannaki   
    
    the day the earth caught data
    (E1) (E2) ...
    a time of her own
    the lonely machine
    plein soleil  
    gynaikes                                   
    panopto
 
    electric dreams 
    the past of things                            \/
    to come
 
    after the end    
    ode to a grecian urn                        \/
    local variations
    c-beams 
    secrets and crises                           \/
    fleeting island 
    regeneration stories                       \/

      
    publications                                      \/
    about 

    



      




   
     

     




..._Data Dreams & Ethical Realities, Panel Discussion, Onassis AiR, 18 Sept, 2024
_The Day the Earth Caught Data at Kastelana, Pyrgos, Santorini 23 Aug-23 Sept 2024
_A Time of Her Own,  Hellenic Centre, London, 15th May 2024
_Onassis AiR, Athens, February - March 2024 _The Nightmare of Persephone, Kairos Politismou, Tinos, 5-6 July 2023
_Arcaeological Dialogues, Syros, 27-29th May 2023 _Athens by Collage: The Representation of the Metropolis between Realism, Intervention and Autonomy, by Fabiano Micocci, Anteferma Editions.
_Curation of the exhibition Expressions of Light in Selene restaurant, Santorini,Sept -Oct. 2022
_Levels of Life: Photography Imaging and the Vertical Perspective - Conference and Exhibition,The Photographers Gallery & London College of Communication, 30th June-2nd July 2022
_Lipiu exhibition catalogue


...

FLEETING ISLAND 
2006-2010 PhD




The photographs attempt to explore space in Santorini today and they are products of my doctoral research "Fleeting island: the production of space in Santorini" (2006-10).

Santorini's case is important as it seems to have undergone a series of dramatic changes in recent years mainly due to the development of tourism. The series investigate the new mobile landscape that is being created. They try to suggest the fugitiveness of space through the portrayal of all the dynamics, and relational movements that are involved in its production. It is an effort to understand a place, like Santorini, through the flows and the relations that compose it today and not as a static, unchanging reality. The ‘writing’ of the automobiles’ lights, and, in fact, of every ‘light’ can evoke this idea of fluidity and in a way manage to translate time into space.

Photographing Folds, Rhizomes, issue 23.

Part of the video piece that was used in the PhD research: