Zoe Hatziyannaki   
    
    the day the earth caught data
    (E1) (E2) ...
    a time of her own
    the lonely machine
    plein soleil  
    gynaikes                                   
    panopto
 
    electric dreams 
    the past of things                            \/
    to come
 
    after the end    
    ode to a grecian urn                        \/
    local variations
    c-beams 
    secrets and crises                           \/
    fleeting island 
    regeneration stories                       \/

      
    publications                                      \/
    about 

    



      




   
     

     




..._Data Dreams & Ethical Realities, Panel Discussion, Onassis AiR, 18 Sept, 2024
_The Day the Earth Caught Data at Kastelana, Pyrgos, Santorini 23 Aug-23 Sept 2024
_A Time of Her Own,  Hellenic Centre, London, 15th May 2024
_Onassis AiR, Athens, February - March 2024 _The Nightmare of Persephone, Kairos Politismou, Tinos, 5-6 July 2023
_Arcaeological Dialogues, Syros, 27-29th May 2023 _Athens by Collage: The Representation of the Metropolis between Realism, Intervention and Autonomy, by Fabiano Micocci, Anteferma Editions.
_Curation of the exhibition Expressions of Light in Selene restaurant, Santorini,Sept -Oct. 2022
_Levels of Life: Photography Imaging and the Vertical Perspective - Conference and Exhibition,The Photographers Gallery & London College of Communication, 30th June-2nd July 2022
_Lipiu exhibition catalogue


...

LOCAL VARIATIONS
2014



My approach to Catholic and Orthodox churches in Tinos island is more social and spatial than historical or religious. It is a visual research into how the people of the island read and translated the coexistence of both creeds in their particular environment. A look into what extent different factors like tradition, society, location, ethics, individual beliefs intermingled and made their appearance in architectural forms.

The work obviously refers to the famous “Typologies” of Berndt and Hilla Becher and, as they proposed, it is a sort of an anatomy of the relations between constituent parts, where the objects of the structures need to be isolated from the context, without colour and as much as possible objectively portrayed. In this way the viewer can observe similarities and differencies and reflect on the multiple exchanges of specific geographical, social, historical and economical circumstances that construct them.

This work was made on the occasion of Bound for Tinos II exhibition in Tinos island.